George Hendrik Breitner

Dutch Painter, 1857-1923 Dutch painter and photographer. He trained as a painter and draughtsman at the academy in The Hague. Although the Dutch painter Charles Rochussen taught the students history and landscape painting, Breitner's interests did not lie in this area. In 1880 he worked for a year in the studio of Willem Maris after his academy training. Maris belonged to the Hague school of painters, who worked in the plein-air tradition of the French Barbizon school. Breitner painted outdoor life with them, although it was not the picturesqueness of the landscape or the Dutch skies that appealed to him. With Van Gogh he roamed the working-class districts of The Hague and through the dockyards of Rotterdam. Both artists recorded the vitality of city life in their sketchbooks. Breitner consciously chose these themes and motifs: he wanted to paint people going about their daily lives


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George Hendrik Breitner Girl in a White Kimono oil


Girl in a White Kimono
Painting ID::  71590
Girl in a White Kimono
Dimensions 59 cm x 57 cm
Dimensions_59_cm_x_57_cm
   
   
     

George Hendrik Breitner Reclining nude oil


Reclining nude
Painting ID::  83901
Reclining nude
Date ca. 1887-1888 Medium Oil on canvas Dimensions 95 x 146 cm (37.4 x 57.5 in) cjr
   
   
     

George Hendrik Breitner Cavalry at Rest oil


Cavalry at Rest
Painting ID::  88236
Cavalry at Rest
1885(1885) Medium Oil on canvas Dimensions 50 x 75 cm (19.7 x 29.5 in) cjr
   
   
     

George Hendrik Breitner Reclining nude oil


Reclining nude
Painting ID::  88271
Reclining nude
1887-1888 Medium Oil on canvas Dimensions 95 x 146 cm (37.4 x 57.5 in) cyf
   
   
     

George Hendrik Breitner Hussars oil


Hussars
Painting ID::  90085
Hussars
between 1880(1880) and 1890(1890) Medium oil on canvas Dimensions 42 x 67 cm (16.5 x 26.4 in) cjr
   
   
     

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     George Hendrik Breitner
     Dutch Painter, 1857-1923 Dutch painter and photographer. He trained as a painter and draughtsman at the academy in The Hague. Although the Dutch painter Charles Rochussen taught the students history and landscape painting, Breitner's interests did not lie in this area. In 1880 he worked for a year in the studio of Willem Maris after his academy training. Maris belonged to the Hague school of painters, who worked in the plein-air tradition of the French Barbizon school. Breitner painted outdoor life with them, although it was not the picturesqueness of the landscape or the Dutch skies that appealed to him. With Van Gogh he roamed the working-class districts of The Hague and through the dockyards of Rotterdam. Both artists recorded the vitality of city life in their sketchbooks. Breitner consciously chose these themes and motifs: he wanted to paint people going about their daily lives

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